Welcome
Here at the beginning of a new module, join Laura for an evaluation of what's gone before and a look forward at what's to come.
Here at the beginning of a new module, join Laura for an evaluation of what's gone before and a look forward at what's to come.
Acrylic paints are some of the most versatile products you can use. In this video Linda explains the different characteristics of the various types.
In this video Laura introduces the essential tools and equipment needed to begin printmaking.
In this video Linda demonstrates how lovely textural prints can be made using compressed sponge. An ideal technique for creating images on sketchbook pages and for layering with watercolour washes.
Linda demonstrates how to carve print blocks from a range of materials and shows how to make prints using acrylics.
In this video Laura introduces the basics of block printing from a range of tools and materials. It's a quick and easy way to make lots of images.
Text is a great way to add detail, meaning, pattern and narrative to your pages. Join Laura as she shows you how.
In this video, Laura introduces the technique of monoprinting and shows the effects of a range of mark making tools.
In this second monoprinting video, Laura explains one method that can be effective for sketchbook work.
Here's another approach to the technique of monoprinting which is ideal for linear designs and text.
Adding borders and frames to your pages can really help balance a composition - Linda shows you how.
At the end of Module 3, Linda shows examples of sketchbook pages and looks forward to what's in store for the final module of the course.
Linda's popped back from the final module to revisit a combination of techniques that suit her latest subject matter. When you get to Module 4 it's inevitable that you'll want to develop earlier ideas explored previously. No 'rules' broken - just going with the flow!
Linda's bringing it all together in Module 4! She's working with her favourite inspirational subjects and combining all the techniques explored during the course.
Linda's been working to integrate various of her feather monoprints into her sketchbook, adding washes of colour to connect the different prints and marry them to the page.
Linda is making monoprints using feathers as a mask today. She's using a Gelli plate but you can improvise with a sheet of patchwork template plastic or a laminated pouch if you don't have one. This technique works on paper and fabric.
Linda is printing with acrylic paints and then exploiting their insoluble quality when dry by adding washes of watercolour to create lovely textured images.