Sketchbook Challenge
What is the project?
- Work along with Laura to fill your sketchbook
- Eight practical video workshops
- Inspirational ideas
- Technique demonstrations
- Choose your own theme
- Use art materials that you already have
I’m so pleased you’re interested in the Sketchbook Challenge. Here’s a bit more about what it’s all about:
I thought it would be great fun to take an empty sketchbook and see if we could fill it! Originally I set this challenge over a one month period with two video workshops each week. You can follow that timeframe or work entirely at your own pace. When you purchase the workshops, all eight classes will be immediately available, and you get to keep them forever. Take the challenge of filling a sketchbook in a month, or take your time, it really doesn’t matter!
I’ll guide you through selecting your book, those important first steps including losing the blank white page, establishing a theme, and strategies for getting things done. Along the way we’re going to play with paint, print, collage, stencils and drawing. Don’t be nervous though, you can be a complete beginner and I’ll show you everything you need to know. If you are already an avid sketchbook keeper I hope you’ll enjoy the structure of the sessions and my take on how to approach working in a sketchbook.




Sign up here..
The Sketchbook Challenge was first offered at the special price of £12 to cheer us all up during the first Covid Pandemic lockdown. We’ve decided to keep this discounted price!
What do I need?
I’ve tried to keep the materials requirements for this challenge as simple as possible, and I know the list still looks quite long! Please bear in mind this is what you’ll need to try everything in the challenge, you might want to leave some techniques out if they don’t suit you, or you don’t have the materials and that’s absolutely fine. I would really encourage you to use what you already have to hand. Now is the moment to use up that acrylic paint that you have somewhere! Inevitably though you may need to get a few things, especially if keeping sketchbooks is a whole new adventure.
The essentials are:
A sketchbook
An assortment of loose papers, this can be magazines, envelopes, packing paper, tissue
Acrylic matte gel medium ( I like Liquitex or Golden)
Acrylic paints (to include white)
Glue stick, ruler, scissors or craft knife and cutting mat
Paint brushes
Thick card or old credit card
Stencils (anything you already have, or some paper to make one)
Solid graphite stick
Tracing paper
Pens (artist drawing pen, or any permanent marker like a Sharpie)
Any alphabet stamps you already own (homemade or commercial)
Acrylic ink or drawing ink (just get black)
For the monoprinting (session 6):
Gelli plate
Laminate plate (a piece of laminated paper)
Oil based printing ink (I like Safe Wash Relief Ink by Cranfield which is cleaned up with water, no solvent required)
Printing roller
Kebab skewer or ball point pen
Photocopies of your subject matter
Thin paper (tissue/pure greaseproof/deli paper)
Optional extras:
Sewing machine and thread
Watercolour paint
Acrylic glaze medium
Oil pastels/Inktense blocks/Neocolor (if you already have them)
The classes...
Sketchbook Challenge – Session 1
Join Laura in the studio for the first session in the Sketchbook Challenge. She’ll start by showing you through a few of the many sketchbooks in her collection and share her tips on what to look for when choosing a sketchbook. Next, make a start on your book working along with Laura to quickly lose the white pages by integrating other papers. These will be the perfect background for working onto later.
Sketchbook Challenge – Session 2
Join Laura in the studio for the second session in the Sketchbook Challenge. This time it’s all about getting a first layer of colour down on your sketchbook pages. Laura will demonstrate a variety of options using acrylic and watercolour.
Sketchbook Challenge – Session 3
Let’s start to build some structure into your sketchbook pages. I’ll start with sharing some examples, then show you how you can use stencils and rubbings to add a layer of pattern. We’ll also use larger simple shapes as a compositional device to help with constructing the layout of your pages.
Sketchbook Challenge – Session 4
In this workshop we’ll explore collage in our sketchbooks. Work from your stash of made and found papers to add colour, pattern and shape to your pages. Consider working with photographs and photocopies and learn how you can edit them for a more thoughtful result in your composition.
Sketchbook Challenge – Session 5
Let’s work into those sketchbook pages. We’ll use drawing and mark making with pens, pencils and pastels. I’ll show you how you can use tracing and stencilling to build your confidence with drawing and get started quickly.
Sketchbook Challenge – Session 6
Experiment with adding monoprint to your sketchbook. Laura will show you two methods of monoprint that extend ideas from the drawing session last time. Use your gelli plate to print from your stencils and create silhouettes you can draw into, and use a linear traced monoprint using oil-based inks. Laura also shares ideas for taking work you’ve already done and making it work harder for you by making copies to build new pages from.
Sketchbook Challenge – Session 7
Let’s explore adding text to your sketchbook. Maybe you’ll use your book as an art journal to document your daily life, as a notebook to jot down reference information, or perhaps you’ll use text as a decorative element. Laura will show you lots of examples and demonstrate different techniques for adding text, from collage, to handwriting and stamping.
Sketchbook Challenge – Session 8
In the last session of the Sketchbook Challenge join Laura to see how you can edit your sketchbook using paint and cutting. Consider composition and ideas for creating rhythm and cohesion through your pages. Finally, take a page-by-page look through Laura’s book.
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Composing with Photos
Using photographs in design compositions can be exciting, but also tricky. Join Laura to see lots of examples and discover tips for success.
Tonal Tracing
Laura will show you how you can use a tracing method to quickly record a tonal study, both with crosshatching and wash. This is a great technique for developing a drawing as an end in itself, or as a preliminary study for something more.
Page to Stitch: Painterly Poppies
So you’ve been working in your sketchbook and are really happy with the pages, but how can you translate that to fabric? In this two-part workshop Linda will show you how she creates a painterly study of poppies in her sketchbook then takes those pages as inspiration to create a quilted panel.
Handpainted Collage Papers
Create your own handprinted collage papers, perfect for sketchbook and mixed media painting. Then explore how you can expand your collage and have fun playing with scale.
Sketchbook Samples
Don’t lose your stitched samples! Keep them safe and organised in your sketchbook. In this class Laura will show you how to add your stitched samples successfully into your sketchbook and build a lovely reference of technique.
Sketchbook to Textiles – Interpreting Marks
Join Linda for a look through one of her sketchbooks as she talks about mark making and then how it’s possible to interpret those marks into your textile work, in this case using dimensional fabric paint.
Mixed Media: Art Journal Pages
We always encourage you to save your scraps, but what to do with all those bits of paper? They are perfect for using in a mixed media art journal page. In this video workshop Laura will show you how to quickly colour your sketchbook page using scraped acrylic paint, create a frame, add collage elements and draw linear details. The pages you’ll make will make the perfect home for your art diary writing, photos and collected ephemera.
Sketchbook to Fabric
We’re often asked how to translate successful sketchbook pages into fabric techniques. In this video Laura demonstrates how easily that can be done with a little sampling and experimentation. She’ll work with ink, acrylic paint and hand dyeing to interpret design ideas from her sketchbook pages.
Adding White
We’re used to working from light to dark in our sketchbooks so let’s mix it up and start with dark backgrounds and add white. Laura will show you how you can use a range of white and light media to add highlights and pattern to your sketchbook pages.
Line/Shape
Considering the Elements of Design can seem daunting, but really they are just the ingredients in any project. In this workshop Linda discusses ideas for creating shape using a variety of lines, but no outlines! She also combines stencils and masks to create pattern within a shape.
Rubbings: Frames and Windows
Having used rubbings to create frames and windows, see how Linda is working into them with collage and drawing. This is a fun way to include your favourite subjects – anything goes!
Stamp and Draw on Paper and Fabric
Some detailed subject matter can be daunting to draw from scratch. In this workshop Linda will show you how it’s possible to use a subtle stamped shape as the base for your drawing. Take all the guesswork out of getting the shapes right and instead enjoy creating a design and drawing the details. Then building on the sketchbook work that Linda did using stamps and drawing, she demonstrates how it’s easily possible to translate those ideas to fabric to make a stitched piece.
Accidental Frames
Make the most of accidental frames as a starting point for new work. Discover how Laura uses acrylic paints to create exciting marks that provide a perfect place to showcase all kinds of artwork. This is a perfect way to make vibrant borders on your sketchbook pages ready to enclose collage, photographs, drawing or painting – whatever is your favourite medium!
Collagraph Monoprint
Learn how to use collagraph to make prints without a press. In this workshop Laura will show you how to make your own plates and then print them to paper or your sketchbook using a Gelli plate.
Printmaking: Trash to Treasure
Challenge yourself to make printing plates from materials found in the recycling bin! In this workshop Laura will demonstrate how to make plates from polystyrene, cardboard, Tetra Pak and milk bottles. Working small with this experimental approach you’ll achieve great results from rubbish!
Handpainted Gouache Resist
Linda will show you a fantastic method for creating a resist painting using gouache and Indian ink. The results are perfect for when you want to add some drama to your painting or sketchbook work.
ATC Book – Night and Day
Join Linda for a page-by-page look through her themed ATC book, ‘Night and Day’. She’ll show you how she’s worked in the tiny pages and some of the techniques and materials that she’s found most useful when working at this small scale.
Working in ATC Books
Join Linda in the studio for a page-by-page tour of her ATC sketchbook inspired by insects. She’ll share her tips and techniques for filling the tiny pages.
Trying Caran D’Ache Neocolor II
Laura’s been experimenting with Caran D’Ache Neocolor II for the first time. Join her to test them out on different papers, and see how she’s been using them, both wet and dry, in her sketchbook pages.
Making ATC Books
What are you going to do with all those ATCs? In this workshop Laura will show you several ways to use them including making tiny sketchbooks!
Oil Pastel Monoprint & Wash
Video Workshop – Using the basic Oil Pastel Monoprint technique, Linda’s developing the process and using it in combination with wash. You’ll already know that oil can work as a resist to waterbased media, see how Linda paints with watercolour adding beautiful fluid washes without losing control of the paint.
Oil Pastel Monoprint
This is a super technique for your sketchbook, or for use in mixed media drawing and painting. Join Linda to see how to make a monoprint using oil pastels. You can work freehand or make use of your stencils.
In the Mix: Rubbings and Drawing
Work along with Laura to bring more confidence to your drawing. Laura will show you how rubbings can be the basis for beautiful tonal drawings. You’ll need only very basic supplies to create great results!
Monoprint Image Transfer
Laura experiments with her gel plate and an image transfer mono printing technique. It’s not foolproof, but it’s lots of fun and you’ll end up with a fantastic pile of monoprints and collage papers which can be perfect for your sketchbook, mixed media work, journals and altered books. In this workshop Laura demonstrates working on paper, this technique might work on fabric, but we’ve not tried it – yet!
Photobook Finishing Touches
Join Laura to see her completed Photobook including a look at the cover, and a page-by-page walkthrough with an insight into the thought processes and techniques she’s used.
Photobook: First Steps
Now you’ve made your photo book is time to start working into those pages. Join Laura as she guides you through the first steps in her own book, and shares ideas for how to get started with simple media and a thoughtful approach to composition, mark making and colour.
Mixed Media: Acrylic + Watercolour
Experiment with layers in your painting and printmaking for sketchbook work using a combination of acrylic and watercolour. Linda will show you how you can exploit the properties of each to create interesting effects.
Photo Book
Do you have a pile of photo prints that you aren’t sure what to do with? Join Laura to bind them into a book that you can use as an album, or treat as a sketchbook.
Inspired by Nature
Find inspiration in nature and see how Linda interprets a photographic source as a mixed media study in her sketchbook. She’ll show you how to use watercolour, charcoal pencils and oil pastel to create rich surfaces sympathetic to the subject matter. Then working from her sketchbook, Linda interprets the mixed media study into a stitched textile. See how she uses opaque and transparent fabric scraps to build painterly layers adding texture with machine and hand stitching.
Using Masking Fluid
Using masking fluid can be a versatile method for your watercolour painting both for conventional paintings and in your sketchbook work. In this workshop Linda will show you different ways to apply it for great effect.
Foiling on Paper
Add metallic gleam to your sketchbook and other work on paper using foiling. Linda will demonstrate a number of ways to use the foil creatively to add shapes and painterly areas of metallic.
Plant Printing
Be inspired by nature around you and collect leaves to use for plant printing. Linda will show you how to make beautiful contact prints on paper. Laura will demonstrate how to make simply structured, but endlessly creative concertina books to house your prints. Finally Linda shares her ideas for working back into your plant printed sketchbook to edit, refine and add detail. The result will be a truly unique record of the plant material you’ve collected and a fabulous sketchbook for inspiration and further development.
Designing with Collage
Collage is the perfect technique for design work. In this workshop Laura will show you how you can use your painted papers, or create ones from your fabrics, to make designs that could be ideal for informing your next quilt. She’ll show you how collage can be used to make the basis of your design with painting to add extra colour.
Inktense Traced Print
Drawing is often the best way to start a watercolour, acrylic or mixed media painting, but what if you you feel your drawing skills aren’t strong, or maybe you just want a fast and effective way to get your image down on paper so you can quickly get started with your painting? In this workshop Linda will demonstrate her technique for creating that drawing which will be the perfect foundation for your painting.
Moth Diary
Work along with Linda to make your own visual diary to document your observations and collections. Linda’s focussing on one of her favourite subjects, moths, but your diary can document anything you like! In Linda’s book you’ll see a selection techniques used in combination to record what you find. There are three workshops in this collection.
Photographs + Sketchbooks
Do you find yourself with a stash of inspirational photo prints, or numerous photos on your phone waiting to be printed? Photographs can be an exciting component of your sketchbook pages. See how Laura’s been using photographs in her books as a layer in her collage and mixed media process.
Beautiful Painted Papers
Gloriously coloured papers are a joy to use in your collage, mixed media, sketchbook and paper and stitch work. In this workshop Linda will show you how to upcycle basic materials into beautiful painted papers that will be perfect for use in a variety of projects.
Polka Dot Papers
Make your own beautiful painted papers with this easy batik technique. They’ll be perfect for using in your sketchbook and mixed media work.
Traveller’s Journal
A traveller’s journal or notebook is an ingenious idea of a refillable cover which can hold a range of booklets. In this collection of workshops we’ll show you how to make your own beautiful fabric cover and binding. Next you’ll learn how to make booklets to pop inside and we’ll share ideas of what to fill it with!
A Glint of Gold
Who can resist a touch of gold? Discover how to add that metallic gleam to your paper and fabric projects. In this workshop collection we’ll show you how to add gold using a variety of media from pens to ink and gold leaf. Learn how to apply gold to your sketchbook pages and to fabric.
Working with Inktense
Do you have a set of Derwent Inktense pencils, or blocks? In this collection of videos we’ll demonstrate a diverse approach to using them in your work on paper and fabric. See how to make rubbings, use them to colour fabric, add colour to your altered books and even print with them. There are four workshops in this collection.
Sketchbook Stories
Take a page by page look through one of Laura’s sketchbooks as she describes the media, techniques and ideas she uses. Get a feel for the different ways you can use a sketchbook and be inspired to start your own.
Cardboard Etching
In this archive collection of 3 video workshops Linda will show you how simple cardboard can be used to make a print plate which can be inked in a similar way to a traditional etching. See how to print from the plate without using an expensive press, and how you can finally tint the print to make each one unique.
Art Diary
Are you up for a challenge? How about working along with Linda as she records events, people and places in a visual art diary? It’s a fascinating way to approach a creative challenge – you just let your imagination respond to each day as it happens. In this archive collection you’ll be encouraged to collect inspirational material, write, draw, print, paint and stitch – before you know it you’ll have experimented with a huge range of art techniques and you’ll have a sketchbook bursting with ideas to inspire future work!
Rubbings: Sketchbook and Applique
In this collection you’ll discover four video workshops where Linda will demonstrate everything you need to know to use the simple technique of rubbings in a variety of creative ways to make beautiful pages in your sketchbook. Linda will then demonstrate how she uses the sketchbook ideas to inspire a lovely stitched appliqué panel using the same rubbing technique directly to fabric.
Serendipity Painting
Are you always nervous about getting started in a new sketchbook? Do the pristine pages scare you? Let me reassure you that you’re not alone! In this collection of three videos you’ll learn how to lose the blank, white page quickly and easily. Laura shows how she gets lots of glorious colour on her pages using water based paints, drawing inks and soluble pastels. She demonstrates step by step how she produces fascinating background effects for her sketchbook and art journaling work and how she constantly evaluates and responds to what she’s created on the page.
Handmade Books
In this collection of three video workshops Laura demonstrates exciting techniques to design and construct your own unique book forms and decorative covers. She explains exactly how to achieve a simple stitched binding, how to create totally unique folded books from multisided geometric shapes and how to personalise the covers of an altered book using a decorative felt wrap. Watch these step by step instructions and you’ll have everything you need to know to make your own highly individual examples!
Scraping Colour
This is the perfect ice-breaker to tackle those blank white pages in your sketchbook or art journal. Apply colour with this fast and fuss-free approach which is perfect for combining with other layering techniques.